Do not all charms fly
At the mere touch of cold philosophy?
There was an awful rainbow once in heaven:
We know her woof, her texture; she is given
In the dull catalogue of common things.
Philosophy will clip an Angel’s wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomed mine—
Unweave a rainbow. . . .
John Keats
Color itself is a degree of darkness.
Goethe
Should your glance on mornings lovely
Lift to drink the heaven's blue
Or when sun, veiled by sirocco,
Royal red sinks out of view –
Give to Nature praise and honor.
Blithe of heart and sound of eye,
Knowing for the world of colour
Where its broad foundations lie.
Goethe
Can you lend me the Theory of Colours for a few weeks? It is an important work. His last things are insipid.
—Ludwig van Beethoven
Goethe's theory of the origin of the spectrum isn't a theory of its origin that has proved unsatisfactory; it is really not a theory at all. Nothing can be predicted by means of it. It is, rather, a vague schematic outline, of the sort we find in James's psychology. There is no experimentum crucis for Goethe's theory of colour.
—Wittgenstein, Remarks on Colour
In color theory, a tint is the mixture of a color with white, which increases lightness, and a shade is the mixture of a color with black, which reduces lightness. A tone is produced either by the mixture of a color with gray, or by both tinting and shading. Mixing a color with any neutral color (including black, gray and white) reduces the chroma, or colorfulness, while the hue remains unchanged.
In common language, the term "shade" can be generalized to furthermore encompass any varieties of a particular color, whether technically they are shades, tints, tones, or slightly different hues; while the term "tint" can be generalized to refer to the any lighter or darker variation of a color.
Wikipedia, Tints and Shades
Photos:
Movie The Wild Blue Yonder (2005)
Werner Herzog
Produced by Werner Herzog Filmproduktion, Tetramedia, West Park Pictures
Written by Werner Herzog
Starring Brad Dourif as the alien
Martin Lo
Roger Diehl
Ted Sweetser
Donald E. Williams
Ellen S. Baker
Franklin Chang-Diaz
Shannon Lucid
Michael J. McCulley
Music by Ernst Reijseger
Mola Sylla
Cinematography Henry Kaiser
Tanja Koop
Klaus Scheurich
Music
Requiem for a Dying Planet (subitled Sounds for Two Films by Werner Herzog) is an album by cellist Ernst Reijseger featuring music for Werner Herzog's 2004 documentary The White Diamond and 2005 film The Wild Blue Yonder performed with vocalist/poet/performer Mola Sylla and the Voches de Sardinna.
1- ERNST REIJSEGER, MOLA SYLLA, CUNCORDU E TENORE DE OROSEI
https://youtu.be/I3h1r5w3OnM
2 - Ernst Reijsiger, Concordu e tenore de Orosei, Mola Sylla, Werner Herzog
https://youtu.be/fih1YBtNpqk
Inspiration for this post:
Weaving the Rainbow:
Visions of Color in World History
Robert Finlay
University of Arkansas
At the mere touch of cold philosophy?
There was an awful rainbow once in heaven:
We know her woof, her texture; she is given
In the dull catalogue of common things.
Philosophy will clip an Angel’s wings,
Conquer all mysteries by rule and line,
Empty the haunted air, and gnomed mine—
Unweave a rainbow. . . .
John Keats
Color itself is a degree of darkness.
Goethe
Should your glance on mornings lovely
Lift to drink the heaven's blue
Or when sun, veiled by sirocco,
Royal red sinks out of view –
Give to Nature praise and honor.
Blithe of heart and sound of eye,
Knowing for the world of colour
Where its broad foundations lie.
Goethe
Can you lend me the Theory of Colours for a few weeks? It is an important work. His last things are insipid.
—Ludwig van Beethoven
Goethe's theory of the origin of the spectrum isn't a theory of its origin that has proved unsatisfactory; it is really not a theory at all. Nothing can be predicted by means of it. It is, rather, a vague schematic outline, of the sort we find in James's psychology. There is no experimentum crucis for Goethe's theory of colour.
—Wittgenstein, Remarks on Colour
In color theory, a tint is the mixture of a color with white, which increases lightness, and a shade is the mixture of a color with black, which reduces lightness. A tone is produced either by the mixture of a color with gray, or by both tinting and shading. Mixing a color with any neutral color (including black, gray and white) reduces the chroma, or colorfulness, while the hue remains unchanged.
In common language, the term "shade" can be generalized to furthermore encompass any varieties of a particular color, whether technically they are shades, tints, tones, or slightly different hues; while the term "tint" can be generalized to refer to the any lighter or darker variation of a color.
Wikipedia, Tints and Shades
Photos:
Movie The Wild Blue Yonder (2005)
Werner Herzog
Produced by Werner Herzog Filmproduktion, Tetramedia, West Park Pictures
Written by Werner Herzog
Starring Brad Dourif as the alien
Martin Lo
Roger Diehl
Ted Sweetser
Donald E. Williams
Ellen S. Baker
Franklin Chang-Diaz
Shannon Lucid
Michael J. McCulley
Music by Ernst Reijseger
Mola Sylla
Cinematography Henry Kaiser
Tanja Koop
Klaus Scheurich
Music
Requiem for a Dying Planet (subitled Sounds for Two Films by Werner Herzog) is an album by cellist Ernst Reijseger featuring music for Werner Herzog's 2004 documentary The White Diamond and 2005 film The Wild Blue Yonder performed with vocalist/poet/performer Mola Sylla and the Voches de Sardinna.
1- ERNST REIJSEGER, MOLA SYLLA, CUNCORDU E TENORE DE OROSEI
https://youtu.be/I3h1r5w3OnM
2 - Ernst Reijsiger, Concordu e tenore de Orosei, Mola Sylla, Werner Herzog
https://youtu.be/fih1YBtNpqk
Inspiration for this post:
Weaving the Rainbow:
Visions of Color in World History
Robert Finlay
University of Arkansas
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2015-05-26
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